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Catwalks ride out the storm
Luxury brands prepare for the threat of a recession with protective attire inspired by films
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I would like to thank...
As the 80th Academy Awards ceremony nears, one man examines his love affair with the Oscars and how its unparalleled suspense, glamour and insanity culminate in a single occasion when the sublime and the ridiculous become one
‘The show must go on! And in our case it’s not a cliché...’
Sid Ganis, the president of the Academy of Motion Picture Arts and Sciences, talks about the organisation’s ‘vibrant’ and ‘individualist’ membership
As great as he thinks he is
A fresh Oscar nomination for Julian Schnabel is sure to irritate those who resent his swaggering progress through the art world and his disarmingly successful dabbling with cinema, writes Peter Aspden
Impossible to dramatise with taste and reality
Actor-director Richard Wilson preserves the approach he took in the stage version of ‘Primo’ as he translates it for TV to mark Holocaust Day, writes Ian Shuttleworth
Film Review: Slaughter and sorrow on the streets of Iraq
There will be no better film about the Iraq war than Nick Broomfield’s ‘Battle for Haditha’. With its emotional immediacy and depth-charged intelligence, it surpasses even Brian De Palma’s ‘Redacted’, writes Nigel Andrews
Film Review: An ode to the demon barber
Lord, Mr Burton, If there’s one thing simply certain, It’s you’ve got Old London licked, So ornately derelict, writes Nigel Andrews
Queen of a media empire
What makes Oprah a mogul, and not just an entertainer or guru, is her determination to make money and exert social and political influence, writes Chrystia Freeland
White horse, naked girl, 4am
Vicky Jewson made her first short films at seven. Now 22, she tells Emily Stokes how she raised £1.4m to make her first full-length film
Million-dollar maverick
Double Oscar-winner Paul Haggis says he is determined to provoke America with his new film on the impact of the Iraq war
Hitmen and hype at the Sundance festival
After opening explosively with a film about hired killers, documentaries have taken the lead at this year’s Utah event, but there’s mixed news on the deal front, says Emanuel Levy
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